Gettysburg College To Host Confederate Flag, Lynching Exhibit
By Deborah Fitts
September 2004
GETTYSBURG, Pa. - The "lynching" of a Confederate
flag is scheduled to kick off a provocative new exhibit at the
Gettysburg College art gallery Sept. 3.
Artist John Sims has plans to erect a 13-foot-high "gallows" outside
the entrance to the gallery, at Schmucker Hall, for the 7 p.m. event.
Dubbed "The Proper Way to Hang a Confederate Flag," it will be open
to the public.
A Detroit native and an African-American, Sims is quoted in the
Hanover Evening Sun stating that the mock lynching of the flag is "to
say this has caused me major problems. I'm lynching it. And then I'm
going to resurrect it and bring it back on my terms."
The exhibit is titled "Recoloration Proclamation: The Gettysburg
Redress." It will feature Confederate flags in different colors,
including the black, red and green of the African liberation
movement, and lavender and pink to represent "drag flags."
Gallery director Molly Hutton said she recruited Sims for the solo
show at the Schmucker Gallery.
"I thought it was very provocative, that it would get a good dialogue
going about the presence of the Confederate flag at Gettysburg," she
said.
Hutton said Sims "never had to confront a Confederate flag" until he
took a job in Florida, where he is coordinator of mathematics at
Ringling School of Art and Design in Sarasota.
"He was quite dismayed and surprised by the ubiquity of the flag in
the South," Hutton said. "To some people it's about Southern pride or
regional identity, and to some historians it's a battle flag. But to
John and a lot of African-Americans it's a symbol of white power and
the hate groups who have adopted it. It's a symbol of visual
terrorism."
In preparation for the show, Sims came to Gettysburg for the first
time in the spring, Hutton said, and was surprised to see Confederate
flags openly displayed. Although his flag exhibit has been shown in
Harlem, the "lynching" is a new aspect planned exclusively for this
show, she said.
Other aspects of the exhibit include a "ReVote" installation
featuring three voting booths used in Florida's disputed 2000
presidential election, and revised versions of Lincoln's "Gettysburg
Address" and the song "Dixie."
News of the exhibit prompted swift reaction in the Civil War community.
Bill Synnamon, co-owner of the Union Drummer Boy relic shop in
Gettysburg, declared that Sims's mock lynching was "despicable and
it's divisive. He's using racism against a flag that's heritage, not
hate."
"I'm not a Southerner," Synnamon added, "and let's be realistic - a
lot of people use this flag for the wrong reasons. If he wants to
argue his case in Georgia or South Carolina, that's another matter.
But after the war, here in Gettysburg, there was reconciliation and
reunions. The flags are not in this town for any symbolism other than
the Civil War. It's a Civil War community."
Synnamon said he planned to "unleash the dogs of war" against
Gettysburg College for supporting the show.
Kathi Schue, president of the Gettysburg Battlefield Preservation
Association (GBPA), said she planned to attend the Sept. 3 event and
"show my distaste."
"I get tired of that race card being thrown," said Schue. "The flag
is part of our history. Eventually our association may want to fly a
Confederate flag at the farm (GBPA's historic Daniel Lady Farm at
Gettysburg), along with an American flag and a state flag, because a
Confederate flag would have flown there during those days at
Gettysburg."
Schue said she feared the exhibit could hurt the college's
reputation. "Why is this coming here? Gettysburg has been a melting
pot for Confederate and Union. This is the wrong time and the wrong
place."
College sophomore John Rudy, an officer in the college's Civil War
Club, posted an online message with the Gettysburg Discussion Group
calling the exhibit "sickening." Rudy said the college appeared to be
"trying to distance itself from the town by rejecting the Civil War
past in which it is steeped."
Kendra Branchik of the college press office said there had been
"quite a lot of reaction" from both supporters and detractors.
"Some feel it's anti-Southern heritage, and some feel it's free
expression and that someone should be able to speak their mind,"
Branchik said.
Hutton, who has headed the gallery for two years, said the college
has not hosted such a controversial exhibit before. "We have great
support at the college," she said. "The administration fully supports
our efforts."
Hutton said the college provost felt that since the college was
present during the battle, it was fitting "to allow for
reconsiderations" of Civil War-related objects and events.
"We'll see what happens," Hutton said. "I imagine we'll have some
protests. This is certainly not intended to be divisive in any way.
It's simply providing a forum for someone with a valid point of view."
The Civil War News could not reach Sims for comment.
A lecture focusing on the show, "Razing the Flag: Nationalism and
Dissent in Contemporary Art," will be given at Schmucker Hall Sept.
16 at 5:15 p.m. by Gwendolyn DuBois Shaw, assistant professor of art,
history and Afro-American studies at Harvard. The exhibit will close
Sept. 26.
Schmucker Hall is located on North Washington Street adjacent to
Pennsylvania Hall, which stood during the July 1863 battle of
Gettysburg.
Hutton said the "lynched" flag may hang through-out the exhibition,
but would be outside the front door of the hall and therefore
probably out of sight of passers-by on Washington Street.